Mule Variations Review

Mule Variations
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Mule Variations Review"Mule Variations" is, simply, the most solid piece of work Tom Waits has released since "Rain Dogs". That's not to say I didn't enjoy "Frank's Wild Years" and "Bone Machine"; they both, however, only serve as sketches of the fleshed-out world Waits presents us with here.
From the opening track 'Big in Japan' (a track quite reminiscent of "Bone Machine's" 'Goin' Out West')to the closing 'Come On Up to the House,' Waits is in rare form lyrically and vocally. And he's even added a new twist to his repetoire on this album: a DJ scratching in the background on several tracks, most notably the beefed-up and funkified remix of 'Filipino Boxspring Hog.'
Waits covers all of the various styles and influences that inform his music with deftness on this album. He moves from the guitar-driven ballad ('Hold On') through Blues-based quirkiness ('Cold Water' and 'Chocolate Jesus') to quiet (?) piano crooning ('Picture in a Frame' and 'Take it with me when I go')and never misses a beat or sings a line that seems untrue to what we've come to love about Waits's gruff persona over the years.
His unique view of the world and relationships is intact, and rings as true as ever on this album. These lines, from 'Black Market Baby,' pretty much sum it all up: "My eyes say their prayers to her, sailors ring her bell / Like a moth mistakes a lightbulb for the moon and goes to hell. . ."
This album is a "must-buy" for any Waits fan, and would make an excellent introduction to his music for anybody still on your shopping list.Mule Variations Overview

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