Acid Tongue Review

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Acid Tongue ReviewOkay, so I KNOW there are those who can't stop waving the Rilo Kiley torch, or the Watson Twins torch as well, but this album is about Jenny Lewis and that's who I'm reviewing. She shines, to keep it simple.
The album starts slowly, with the whimsical flirting chords of "Black Sand" and then the dark, slow churning "Pretty Bird" keeps the flow going smoothly, finishing with a strum that shakes you and fades into silence. Not for long, cause what comes next is "The Next Messiah", which is one of those few album tracks that feels live but isn't, and therefore this meandering jam achieves the ultimate level of polished iridescence.
"Bad Man's World" brings you back out of that shake your butt drumbeat with another of Lewis's paradigms of songbird vocal melancholia, the likes of which we haven't seen I think since before Joni Mitchell's balls dropped (I refer to the effect her smoking has had on her voice over the years that has rendered her from soprano to tenor, which is still beautiful, don't get me wrong, I love Joni, but its no longer that crystal clear soprano you hear as the ghost voice on Neil Young's contribution to The Last Waltz).
But onward, to the meat of this album. "Acid Tongue" softly wails the tale of the road tripper, a road Lewis and so many hundreds of thousands out there have been on. She sings the song of no regrets, but simply having had her fill, despite her soul attraction to that particular journey and the places it has taken her. Following is "See Fernando", a song I must admit I prefer live with the Watson Twins, but it's still a great track and worth it. Had I never heard the live version before, I might have been all about this one. "Godspeed" breaks my heart, just an amazing song, one that floors you and rips you open and makes you want to hug your best friend for all the times you've had be painfully real with each other. This was my favorite song on this album.
Then there's "Carpetbagger", a song that I really wish Costello hadn't opened his mouth on, but the song is strong enough with its audacity and razor edge to have you forgiving Elvis the minute Jenny takes the mike back. Side not on "Carpetbagger", I live in SC, and there are so many bars that this song would not go over well in, but that doesn't mean the patrons don't need to hear it.
"Carpetbagger" goes into "Trying My Best to Love You", another slow churned, extra creamy Jenny ballad, which preludes the jaw dropping "Jack Killed Mom", a song that will make you see the Janis Joplin influence on Jenny Lewis, not one of emulation, but of pure SOUL, dig?
Ending this unfortunately short album is the sweet not saccharine "Sing a Song for Them", which is a gentle come down that reminds me of the Dead's "Ripple", Jenny Lewis ends her album with hope and wisdom and a smile on her face that you can hear through your speakers.
To quote my best friend, "Whatever she's on, I want two."Acid Tongue OverviewFemme Fatale Jenny Lewis has never sounded so passionate and her songs never so hard-hitting and acerbic as on her aptly titled solo disk "Acid Tongue." The album follows 2006's "Rabbit Fur Coat" and a series of acclaimed albums with indie rock fave Rilo Kiley. Featuring collaborations with A Band Called She & Him, and guest appearances by Elvis Costello and Chris Robinson (The Black Crowes), "Acid Tongue" proves to be wicked good.

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