Want One Review

Want One
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Want One ReviewRufus Wainwright's opening song "Oh What a World" has simple lyrics which, as they repeat, build layer after layer into fugue-like bombast. It stresses from the start that this album is abouts sonics. It will have a dense complex sound and a cleanly produced real orchestra throwing harps and horns into the mix.
"I Don't Know What It Is" starts slow and builds to a crescendo as well. By its finale, it sounds like Phil Spector movie music. Wainwright and his producer Marius Devries parlay this excess into camp charm.
"Vicious World" is a romantic lament backed by a vibraphone from a Mirwais producers album or a chill-out disc.
"Pretty Things" is just Rufus and his piano proclaiming his Wildean aestheticism.
"Go or Go Ahead" starts with a lovely Wainwright vocal over acoustic guitar and builds to a blistering rock 'n' roll climax--at least by tuneful Rufus standards. Shades of 70s bands like Queen or Boston: power chords and creamy harmonies. A masterpiece of production, it's one of the album's best songs.
"Vibrate" is a bit throwaway but it's clever fun.
"14 Street" ushers in the album's finest moment where Tin Pan Alley melody, saloon piano, and witty poetic lyrics come together in a tasty mix.
"Natasha" is pleasant but unexceptional.
"Harvester of Hearts" may be the best vocal on the album. Rufus' voice, in its higher register, sounds delicate and expressive. The song is lovely too, though it repeats the word "people" too many times.
"Beautiful Child" is a nu-gospel stand-out that reads like a Blake poem. Again, dense busy production makes for a layered treat that may requires headphones to fully appreciate.
"Want" and "11:11" are slower songs with the occasional lyrical highlight, but they're not among my favorites here.
The album concludes with "Dinner at Eight," another contender for the album's finest moment. A beautiful melody wed to lyrics of David-and-Goliath combat, it's both a father-son love letter and piece of oedipal hate mail. The orchestra is used to great effect here, especially the harp whose ripples mimic "the drifting white snow" of the lyrics.
Rufus Wainwright, along with Ryan Adams, Beck, an underrated Joseph Arthur, and a revived Tori Amos, are the singer/songwriters to watch in the new millenium. Rufus has kicked it up a notch with "Want One." I wait eagerly for his promised sequel "Want Two."Want One Overview

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