Cherryholmes Review

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Cherryholmes ReviewPlaying Time - 45:51 -- The Cherryholmes' pendulum of repertoire swings from Bill Monroe ("Tallahassee") to the Dirt Band ("Workin' Man"), and Hazel Dickens ("Workin' Girl Blues") to the Louvin Brothers ("No One to Sing for Me"). Karen Rochelle's "He Goes to Church" imparts a powerful message that it's never too late to pursue salvation. So there are influences from old-time mountain, bluegrass, classic country and Gospel sounds. Their original songs are equally varied, with inspiration that covers the traditional music map. Twin fiddles and the bouncing ¾-beat give "Heart as Cold as Stone" a definitive Monroesque feeling, while "Makin' Time" is an uptempo and catchy song that could've been covered by Jimmy Martin before his death. "Will I Be the Winner?" and "Brand New Heartache" have classic country sensibilities. Jeff Taylor's whistle and accordion are added into the mix on the Celtic-flavored medley of some more originals, "Shelly in the Heather" and "Linda's Reel."
Thematically, they clearly understand the roots of the music when they compose and present a nicely-arranged song like "Red Satin Dress," a murder ballad that only slightly suffers from the vocals not being as high and lonesome as we're used to in such numbers. While there are many lead vocalists in this family band, Cia Leigh Cherryholmes is the most expressive and evocative on a straightforward original like "Don't Fall in Love." Among very stiff competition, she garnered a first round nomination as IBMA Female Vocalist of the Year. As a unit, all six band members sing a cappella on the album closer. Besides their impressive songwriting and singing, The Cherryholmes demonstrate consummate instrumental skills that certainly belie their ages. "Coastline" is a fiery and frenetic tune that swirls like its inspiration, the hurricanes of 2004. Guests Ricky Skaggs (mandolin) and Ben Isaacs (harmony vocals) appear on one track apiece. Isaacs produced the project.
Based in Arizona, the hard-working Cherryholmes range from 13-year-old fiddling Molly Kate on up to the bass-playing patriarch of the unit, Jere. The other kids, Cia, B.J., and Skip, masterfully play banjo, fiddle and guitar, respectively. Their home-schooling mother, Sandy, plays mandolin. Since 2002, the Cherryholmes have been performing music full time (over 250 shows a year) and traveling extensively. They have the talent, dedication and attitude to really go places. (Joe Ross, staff writer, Bluegrass Now)
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