Room to Breathe Review

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Room to Breathe ReviewI have to confess something. I made a mistake. Delbert's new CD was released in September. While I always get each of his releases, I put this one on hold because of a professional review, "...on Room to Breathe ... a sense of going through the paces permeates the project. Chord progressions are predictable...not much compositional substance is evident." This guy must be hearing a different CD than the one I get; I'm sorry I waited 5 months!
Delbert McClinton's "Room to Breathe" is an excellent accomplishment. Delbert went through a creative period where he turned out a lot of songs and was ready to head back to record within a year after "Nothing Personal." 4 tracks are instant classics. The opener "Same Kind of Crazy" bounces with a great punching rhythm section, "Ain't no doubt about it; she's the same kind of crazy as me." "Everything I Know About the Blues" (I learned from you) is a slow burn that has "standard" written all over it with Todd Sharp's bluesy piano and Kevin McKendree doing some very classy strings on this track. If Etta James doesn't record this, I'm gonna lose a BIG bet. "Blues About You" is a great boogie woogie, "The hardest thing honey 'bout having' the blues, like I'm walkin' the floor in a dead man's shoes." "Ain't Lost Nothin'" has that great Jimmy Reed kind of beat with Lynn Williams' drums propelling this burning rocking blues. The other tracks including "Don't Want to Love You" are also great. So my advice is to not try to compare this Delbert CD to his others because, quite frankly, he's consistently brilliant! So plunk down the spare change and get some room to breathe! Enjoy!Room to Breathe OverviewWhen Delbert McClinton announces with his latest album that he has Room To Breathe, he sure ain't kidding. After more than four decades of making music, McClinton is breathing freely with the confidence and energy of an artist who knows that he has mastered his game. Still basking in the glow of a new Grammy(r) Award, he has followed up what The Wall Street Journal declared his "best recording ever" -- 2001's Nothing Personal -- with a set that displays even greater muscle, smarts, charm and soul.

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