What a Difference a Day Makes Review

What a Difference a Day Makes
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What a Difference a Day Makes ReviewFor her fifth album for Creed Taylor's CTI label the label boss gave production duties to Joe Beck. The result was to be like nothing else that she had recorded before, both in the scope of the material and in the luminary band and orchestra that was assembled for the sessions.The album was the result of three sessions stretched over late April/Early May 1971, and the quality of the cuts and the choice of material has stood up well in the intervening years. The hit, "What a difference a day makes" appears in two forms and two tempos, the released track clocks in at 4.30 and the bonus cut at 3.10. My favourite tracks are the great version of Kenny Gamble/Leon Huff's "One night affair" (she had lived that one!), an excellent reading of "I can stand a little rain" and a belting version of Lu Emerson's "Hurtin' House". Less successful, and slightly dated is the reading of "Oh Papa". Special mention for Michael Brecker on Tenor sax, and the four piece trumpet section, as well as Joe Beck's guitar. It's still a fine, varied album that produced the hit, and put her career back on track. A great shame that neither of the follow up albums consolidated the situation, but this is a great reminder of what she could do.It's also a great counterpoint to the Rhino compilation "The best of Esther Phillips"What a Difference a Day Makes Overview

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