Showing posts with label grateful dead. Show all posts
Showing posts with label grateful dead. Show all posts

Tales of the Great Rum Runners Review

Tales of the Great Rum Runners
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Tales of the Great Rum Runners ReviewRobert Hunter's first solo album, showcases his awesome songwriting talent, and wonderful musical skills. With such classic songs as "Keys To The Rain", and "It Must Have Been The Roses" (the album's only song played regularly by The Grateful Dead). Tales Of The Great Rum Runners, also contains one of the finest song cycles since American Beauty, Robert Hunter on Rum Runners song cycle:
"I have this short little piece, "Lady Simplicity." I didn't have a song that seemed to properly kick in and get Rum Runners going.
So I wrote this little chorale piece to start it off, and then I didn't have a piece that I felt ended the record satisfactorily, so I did "Boys in the Barroom." These were written to begin and end an album, because the other pieces all wanted to be in the middle somewhere, hanging onto each other for dear life."
Other highlights of the album include "Dry Dusty Road", a wonderful folk-ish song, "Rum Runners" the album's title song, and "Mad", which needs no comment, if you have heard it, and that is the point of reviews, to make you want to hear the album, so I'll leave it at that.Tales of the Great Rum Runners Overview

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After Midnight: Kean College 2/28/80 (Dig) Review

After Midnight: Kean College 2/28/80 (Dig)
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After Midnight: Kean College 2/28/80 (Dig) ReviewSimply one of the finest releases to come out of the Garcia archives since his passing. Let's face it Jerry was a brilliant, fluid, mesmerizing guitarist on his good nights, and on the nights where he wasn't his best he could be down right awful. Fortunately for us this was one of those brilliant nights, from the opening chords of Sugaree to an incredible Eleanor Rigby and back thru Tore Up Over You to the closing Midnight Moonlight, Jerry and the tight 4 piece band pulled out all the stops in a show that must have gone well into the morning hours judging by the starting time of 10:30 for opening act Rachel Sweet, probably the reason for the title, "After Midnight"!! As longtime lyricist Robert Hunter alludes to in the liner notes (he is also featured on 2 cuts) this is a pared down Jerry Garcia Band, with Jerry, Ozzie Ahlers on keys, John Kahn providing the bass, and Johnny De Foncesca on drums, allowing an incredible tightness and a very solid sound to this 1980 concert. The sound quality is tremendous, and as Hunter further notes, Jerry even remembered all the words, no small task some nights for Captain Trips! I have all the Jerry Garcia Band commercial live releases and this one is the clear winner (so far), not to say the others aren't good, but this one absolutely smokes, no nonsense, no frills, just Jerry and band playing well into the night, where everything just clicked, and you can hear the crowd enjoying every note, glad to be part of one incredibly magical musical evening! The Jerry Garcia Band goes to college, and comes out with an A+! Get this one, you won't be sorry.After Midnight: Kean College 2/28/80 (Dig) Overview

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How Will the Wolf Survive Review

How Will the Wolf Survive
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How Will the Wolf Survive ReviewI became aware of Los Lobos during the early 1980s with the release of their EP "...And a Time To Dance" and made sure I saw them live when they were doing the promotional tour for this album. They have since become a national act but How Will The Wolf Survives stands as one of the most enduring albums of its day. With the airwaves awash in glamrock and corporate-rock powerhouse groups, Los Lobos was a breath of fresh air. Its infectious mix of hard-driving roots rock, country, and blues judiciously tinged with the pulsing accordion of David Hidalgo provided an antidote to the stale pap being cranked out in the top-40 and AOR formats. My favorites are the irresistable Don't Worry Baby, I Got Loaded, the country-ish Our Last Night and, arguably the best song on the album, the accordion-driven The Breakdown. I think the title cut and the two Norteno songs are mediocre but the quality of the rest of the music gives it the five stars. How Will the Wolf Survive stands as the best mostly English-language album issued by Los Lobos. It is a landmark album that has yet to be matched by any of the band's subsequent releases except for the fabulous La Pistola y El Corazon. If your tastes run to the eclectic with a strong leaning toward the southwest, then this comes highly recommended. And by the way, the accordion is an important component of the music, so if you don't like accordions, you are not going to like this.How Will the Wolf Survive OverviewNo Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 11-JAN-1989

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Weir Here: The Best Of Bob Weir Review

Weir Here: The Best Of Bob Weir
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Weir Here: The Best Of Bob Weir Review... I don't feel like this collection has enough Bob Weir! Oh sure, every song on here is great and Bob sings all of them. That's not in doubt. It just seems like the label defeats its own purpose of trying to spotlight Bob Weir the individual by putting on too many Grateful Dead performances, which dominate disc two of this collection. Weir's lived in Jerry Garcia's large shadow his entire adult life, and in some ways he still is with Weir Here.
By my count, Weir's released seven albums on his own outside of the GD. His excellent solo debut, Ace (which was really a GD album with all Weir songs), is well represented on Weir Here. So well represented that buying Ace is almost redundant now. That leaves six more albums, most of which are underserved and two of which -- the outstanding Weir & Wasserman Live and the less than stellar Where the Beat Meets the Street -- are completely ignored. Admittedly, there's not much to recommend from "Beat," but that's the beauty of compilations. Find one or two gems from what's otherwise a dud and rescue them from obscurity. Maybe that album is best left forgotten, but it doesn't explain the exclusion of either the Weir/Wasserman album, or the fine songs "Heaven Help the Fool," "Bombs Away," "Festival," and "Josephine," all of which have become Weir standards. "Book of Rules" is another really cool song that probably deserved consideration.
Then there's Weir's most recent effort (with current band Ratdog), the triumphant Evening Moods. It might be Bobby's best non-GD release, and it's also the best Dead or Dead-related studio album in ages. Why only two Evening Moods songs on Weir Here? You don't want to kill sales of that recent album, but at the very least "Bury Me Standing" and either "Odessa" or "Corrina" should've made the cut. I suppose you can't have a Best of Bob by not including songs like "Truckin'," "Sugar Mag," "Throwing Stones," etc. Still, why give us a bunch of live GD performances, several of which were the very same versions previously released on live GD albums? This might've been a great opportunity to add live Ratdog, Kingfish or Bobby & The Midnites instead!
The best reason to get Weir Here is that there are a handful of sweet rarities included. "Easy Answers" from Rob Wasserman's Trios album (which also has Neil Young on guitar) is on here, but "Eternity" (featuring Weir, Wasserman and the late Willie Dixon)sadly is not. You also get a song from a children's album ("Wabash Cannonball") and a blistering cover of Dylan's "Masters of War," which Ratdog quickly recorded out of anger over the misguided invasion of Iraq. It's all great, but again there's stuff missing. Studio recordings of "Fever," "Take Me to the River," and "Knocking on Heaven's Door" (all cover songs that have become Weir concert favorites) are out there and in need of reissue. How about "She Said," an original song that Ratdog's been playing for years but didn't include on Evening Moods?
Still, this is a great collection of songs. I'm only knocking it down to four stars because of the omissions I would've preferred to see included, and because I don't feel like all those Dead songs flow terribly well in the way they're presented here, with earlier and later recordings mixed together. Since many of them are previously released, you can get 'em elsewhere. Weir Here does, however, mark the first official release of "Man Smart, Woman Smarter". I guess that's a plus. I read an interview where Bobby said there will be a Weir Here Vol. II. That's great, but wouldn't it have made more sense to make Vol. I a more complete collection of Weir outside of the GD? I think so. If you're a Weir newbie, however, this isn't such a bad place to start. Bob Weir is a seriously underrated composer and guitarist, and this honor is long overdue.Weir Here: The Best Of Bob Weir Overview

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Jerry Garcia Band Review

Jerry Garcia Band
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Jerry Garcia Band ReviewRight before Christmas last year, my oldest daughter was not yet four, I pointed out a big picture of Jerry Garcia on the cover of a book at Barnes and Noble. She said, "Hey, Jerry Garcia looks just like Santa Clause." Then she asked if we could either visit Santa Clause or Jerry Garcia before Christmas next year. I replied, no, we couldn't, because Jerry Garcia is dead and "some people believe Santa Clause is just make believe," or words to that effect. It probably was not my greatest moment in parenting, but I try not to lie to my kids and I have mixed feelings about the Santa Clause thing for reasons I won't go into here. There was a pregnant pause, and I worried I had traumatized her with my bluntness, but she seemed unfazed. A moment later, studying the picture again, she amended her observation: "Actually, Jerry Garcia looks different than Santa Clause because Santa Clause has a hole in his beard where his mouth is." Fair enough.
The Grateful Dead were a unique and special thing, but by the eighties, it had grown too large, taken on a life of its own. Too many people were making too much money, and too many lives depended on the touring. So, on inertia and psychedelic fumes, the band played on. And the kids, they dance and shake their bones. But Jerry Garcia's heart was not in it. There were sporadic great shows, nights where all the individual streams came together just right and the magic happened. But you had to listen to a lot of mediocre jamming to get to those moments. You had to accept that you were there for the experience, and the band was there to provide the accompaniment. Any higher expectations and it was a set-up.
When you listen to the Jerry Garcia Band, you can hear the difference. Not that there still weren't off nights. But freed of the burden of the Dead, the Dead scene and the Dead repertoire, the alchemical magic was bubbling through the music. Jerry could take a melody and make it something different, something special. The ensemble he put together in the late eighties and early nineties played some great, soulful and beautiful music, and this compilation is a nice example of the best of it.
Melvin Seals is terrific on the organ and Kahn does a good job on the bass. You also get quality background singing, something noticeably missing from the Grateful Dead since the band cleared puberty. The Way You Do the Things You Do, Dear Prudence, Deal, My Sisters and Brothers, and an exuberant Tangled Up In Blue are my personal favorites. There are also plenty of those slow, sad ballads that Jerry does so well.
Buy this, listen to it often, have fun, be safe.
Jerry Garcia Band OverviewJapanese reissue of the 1991 release from the late Grateful Dead singer/vocalist's side project, featuring a miniature paper LP sleeve reproduction of the original artwork. Limited edition release.--This text refers to an out of print or unavailable edition of this title.

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