Showing posts with label willie nelson. Show all posts
Showing posts with label willie nelson. Show all posts

Moment Of Forever Review

Moment Of Forever
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Moment Of Forever ReviewIf you like Willie, you are going to LOVE this latest work. Collaboration with Kenny Chesney seems to have paid off in a big way. Smooth, mellow vocals and an eclectic song selection make this one of the most enjoyable of his works in years.Moment Of Forever Overview

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American Classic Review

American Classic
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American Classic ReviewWillie sounds great on this new disc of American song standards. This music puts me in a good mood. The musicians on the disc are so good. I love Mickey Raphael on the bluesy harmonica on the track "Since I Fell You". Joe Sample plays the piano on the "On The Street Where You Live". This song is pleasant to listen to. Joe provides the musical arrangements for these tracks. Every track sounds new and fresh, so Joe does his job well here. Willie duets with Diana Krall on "If I Had You" and Norah Jones on the track "Baby It's Cold Outside". Their vocal talents give these classic tracks a sensual sound that I love. "Angel Eyes" is a song about missing a loved one. This song sounds very romantic. Because Of You is a very pretty song. I like the sax playing on this track. I like the sentimental feeling Willie sings with on the track "Come Rain Or Come Shine". "Always On My Mind" is Willie's original song. I have never heard this song featuring piano playing before, and it sounds beautiful. This is a very enjoyable disc of music from Willie Nelson.American Classic Overview

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Stardust Review

Stardust
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Stardust ReviewOver the last few years we've been bombarded with one unnecessary CD that remakes American standards after another. Ughh! I can only think of two artists who honor these songs while still making contemporary albums: Steve Tyrell's A NEW STANDARD and, best of all, Willie Nelson's STARDUST. Re-discovering this album, complete with two new tracks, is a joy. Of the many great albums that Willie Nelson has recorded, this one is my favorite. It sounds just as good today as it did twenty years ago, and I suspect it will sound the same in another twenty years. I am living proof that you don't have to listen to standards on a regular basis - if ever - to love this album. STARDUST is an absolute gem that gets better every time you play it. Bravo, Willie!Stardust OverviewNo Description AvailableNo Track Information AvailableMedia Type: CDArtist: NELSON,WILLIETitle: STARDUSTStreet Release Date: 10/19/1999

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Love Their Country Review

Love Their Country
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Love Their Country ReviewThis CD is problematic. I am a Me First and the Gimme Gimmes fan, and I am a country music fan (I have the originals of a fair sampling of the material they've covered here), and this is probably the first time on any of their records that I can see some clear, distinct errors in judgment and execution on the band's part.
The plus side for the album is that it's a set of moderately effective punk rock covers of country songs of various popularity. While not ambitious, the music is generally well executed. It's not a CD I'm sorry I bought.
However, there are some problems with this album, particularly when compared with some of their earlier fare. For starters, the song selection here is incomprehensible. Annie's Song? I mean, John Denver showed up a lot on the country charts, but this is not one of the songs that gets a lot of radio play in a lot of markets. It's also not a song that's particularly friendly for conversion to the punk ruck genre, because it is, in its original form, essentially a vocal showcase for Denver with only a minor part for the backing instrumental parts. Country Roads would have been a good choice here (their cover of that song is more than adequate), and Thank God I'm A Country Boy would probably have been more in keeping with the feeling of the album.
Similarly, Lookin' for Love is not really the hallmark of Johnny Lee's career. Cherokee Fiddle would probably have converted better, and would have better allowed for performances from the band. The Hank Williams number selected (I'm So Lonesome I Could Cry) is adequate and one of the more creative and interesting on the record, but I'll Never Get Out Of This World Alive might have been an easier sell and even Hey Good Lookin' might be more recognizable. Other songs just aren't very effective on the record (Ghost Riders - a song I have grown to hate in all its various forms, and Jolene - a song that uses the same word four times in a row to form the chorus and casts serious doubt on Dolly Pardon's abilities as a performer). East Bound and Down - which will be most recognizable to folks as the theme song to Smokey and the Bandit - is similarly not the best they could have done in Jerry Reed's catalog (Guitar Man might have worked better, or even Amos Moses).
Some songs, however, are gems. I don't much like any country music perpetrated after 1985, but Much Too Young and Goodbye Earl are probably as good as they could be. Sunday Morning Coming Down is very well done as well. Comparing this to Are A Drag and Blow In The Wind, however, you see where the CD has some tracks that you might conceivably just want to skip over, and given the album's 25 minute running time, that's a pretty big problem.
Mostly, I suppose I'm just disappointed with the end result they've got here, which shouldn't really be surprising. It's easier to shoehorn pop music into the punk rock formula than it is country, if only because the two genres share a lot more qualities. This is a noble effort for what it's worth, but one that ultimately disappoints.
Buying Recommendations: For fans of the band, this isn't really a matter of choice. There is a new record. You'll buy it. It's not as good as some of the earlier work, but it's good enough. For new listeners interested in the band, if you've only got the money for one or two CDs, I'd tend to steer you towards Are A Drag and Blow In The Wind before this record. For country music and punk music fans interested in hearing the mashup of styles, you should be satisfied, if not really deeply and fundamentally impressed.Love Their Country Overview

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Songbird (Dig) Review

Songbird (Dig)
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Songbird (Dig) Review4.5 stars
"When Willie Nelson began his ascent to country music stardom in the 1970s, he managed to corral two types of fans. The first group was the rednecks, drawn to Willie's country sound and perhaps even his pedigree as the guy who wrote "Crazy" for Patsy Cline; and the second group was the hippies, who saw Willie as one of their own: a long-haired, scruffy-bearded pot-smoker with a propensity for traditional music. Thirty years later, Nelson's audience has expanded beyond those two polar demographics, and the man himself has become an icon" Pitchfork
Willie Nelson is back to his old roots with this CD, admirably produced by Ryan Adams. Adams has his band the 'Cardinals' playing, and as someone else said this CD should be named 'Wille Nelson and The Cardinals'. The Cardinals add such a wonderfully rich touch, and Ryan Adams sings vocals in some of the songs. They provide Willie Nelson's "knotty old pipes a scene for boisterous settings" 11 songs, written by old friends and new and sung with distinction.
'Rainy Day Blues'-shuffling blues number written by Willie, which will make you want to hear more right away with its soulful guitar.
'Songbird"-The Fleetwood Mac, Stevie McVie, title track gets a `70s country rock treatment, which is appropriate as it's a `70s-era pop song.
'Blue Hotel'- Ryan Adams's song that talks of a mythical American West full of lies and fools.
"Back to Earth" Willie Nelson's own song. He begins with just an occasional strum of the acoustic guitar and his bare voice.
'Stella Blue"- Greatful Dead and Jerry Garcia's tune accented with great guitar work.
'Hallelujah'- Leonard Cohen's song and my favorite on this CD, finds "Willie drawing comparisons of the fall of some mighty men such as David and Samson with his own failings as a man in love. He sings:
I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though
It all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah"
'$1000 Dollar Wedding"- Wille sings about his young almost-bride-to-be on Gram Parsons's "$1000 Wedding" with a harshness that implies Nelson still hasn't forget the pain of heartbreak from all those years ago".
'We Don't Run'- Willie's own song and it rocks out. "Kick it off if you're ready", Nelson instructs the band before launching into "We Don't Run", and they turn the ballad into a rockabilly-style rave-up.
'Yours Love'-One of the sweetest 'love songs' I have heard Wille sing.
"May the Comfort I praise be yours love, and the arms that I seek be yours love".
'Sad Songs and Waltzes'- the third of Willies songs-a true waltz and Willie said he was writing a song for his love who had cheated and was leaving.
'Amazing Grace'-the final sing on the album and this is a cover unlike any you've heard before. "Willie paints the hymn in a minor key darkness, as he sings the songs almost sounding condemned as opposed to saved. The haunting melody is reminiscent of the classic "House of the Rising Sun" and finishes off the album with a great bit of creativity."
"Songbird, a collaboration with Ryan Adams is Willie Nelson's finest in a decade. The sound is burly, surrounding his inimitable lilt with shuddering electric guitars. But the slow and stately stuff really sparkles, which proves the old troubadour can still write the best weepers around. "Entertainment Weekly
This CD has some amazing songs. With the addition of Ryan Adams producing, and the renditions of "Hallelujah" "Yours Love" and "Amazing Grace" this CD sould be heard time and again.
Highly Recommended. prisrob 12/01/06
Songbird (Dig) OverviewDespite coming from different musical backgrounds, Willie Nelson and Ryan Adams find an amazing middle-ground with their first full-length collaboration. The beautifully textured Songbird pays homage to a widely diverse group of songwriters such as Leonard Cohen, Gram Parsons, Fleetwood Mac, and The Grateful Dead, and features originals from both Willie and Ryan. The album sits perfectly between the traditional country music Willie almost single-handedly carried into the new millennium and the dissonant guitar-driven rock Ryan has melded together in the last few years with The Cardinals.

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You Don't Know Me: Songs of Cindy Walker Review

You Don't Know Me: Songs of Cindy Walker
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You Don't Know Me: Songs of Cindy Walker ReviewI have found that there are four types of country-minded songwriters. The first two (those who can't write, and those whose artistic success comes sporadically, at best), I won't bother with. The third category of songwriters are those who create elaborate tapestries with words. These are your Dylan's and Kristofferson's; artists who milk language for everything it is worth (I'm not insulting their talent; I personally am a big Kristofferson fan). The fourth type of songwriter uses simple language; they keep it real and honest, and cut straight to the bone. This is where Cindy Walker (and, not-coincidently, Willie Nelson) falls.
This album is a testament to the honesty of country music. Want proof? I saw the video of "You Don't Know Me" and immediately went out and bought the album. Why? Because it summarizes, word for word, what I'm going through in my life right now. How about "Not That I Care," with its subtle blend of sorrow and non-chalance? Or the heartbreaking "Dusty Skies?" Or the witty "Don't Be Ashamed of Your Age?" Or the genuinely romantic "I Don't Care?" These are songs that cut to the quick, that grab your heart and don't let go. This is a 13-track journey through the heart and soul of what makes country music the honest, hard-working music it is.
Aside from a stirring tribute to one of country's greatest songwriters, YOU DON'T KNOW ME: THE SONGS OF CINDY WALKER is a testament to the artistic capabilities of Willie Nelson. His voice has never sounded finer, as he sings straight from the heart. The album also features the return of producer extraordinaire Fred Foster, who introduced the world to such artists as Roy Orbison and the afore-mentioned Kris Kristofferson. Three brilliant minds went into creating this album; and with the help of stellar musicians (including beautiful harmonies by the Jordanaires), they crafted a classic country record. YOU DON'T KNOW ME: THE SONGS OF CINDY WALKER is destined to become one of those records you don't forget. It will tug at your heartstrings, it will make you smile and dance. And, if nothing else, it features stone-cold country music; and, I kid you not, twin fiddling. Willie Nelson, along with some of his good friends and partners in crime, has created yet another country music masterpiece. It's truly a timeless record.You Don't Know Me: Songs of Cindy Walker OverviewWith such country legends as Bob Wills, Gene Autry, Eddy Arnold, and Ernest Tubb recording Cindy Walker's songs, a mid-century Texas dance floor could have stayed packed on a soundtrack of nothing but her music. You Don't Know Me: The Songs of Cindy Walker could be likened to a country version of Stardust, Willie's famous 1978 collection of recast pop standards. Therein lies the beauty of Cindy Walker's songs, and the gift that is Willie Nelson singing them: sixty years from now, no one will write or sing a country song so well. 2006.

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