The Letting Go Review

Average Reviews:

(More customer reviews)Are you looking to buy The Letting Go? Here is the right place to find the great deals. we can offer discounts of up to 90% on The Letting Go. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

The Letting Go ReviewThis might be the best CD that has come out this year. It may be Will Oldham's best CD since "Viva Last Blues." It may be better than "Viva Last Blues" although these are two different styled CDs. "The letting go" has a mostly very mellow sound. Almost every song is beautiful. The string and guitar melodies are uplifting. Will Oldham's voice is grounding, it is the familiar voice you have heard for the past decade or so. Dawn McCarthy's voice will then again lift you up. McCarthy's voice is a fantastic companion to Oldham's. Other singers/bands have tried to use a female voice to echo or accompany the lead vocal and it has often become irritating. This is not the case with "the letting go," McCarthy's accompaniment adds so much to the album but without taking away from Oldham. I haven't listened to a Will Oldham album since "Ease down the Road." This makes me want to go back and listen to those albums I have missed. One song in particular, "The Seedling" (I believe) has a different sound than the rest of the album. It has a harsher sound, but is still a good song.
This is a great introduction if you are new to Oldham or if you are returning listener.The Letting Go OverviewThe Letting Go is an overwhelming undertaking. As mentioned, there are stringslovely charts that do so much more than just trace chord changes up and down the neck. Arrangements by Ryder McNair and Nico Muhly are threaded throughout the record, augmenting a simple quintet players to provide a sixth sense. The deceptive nature of his band is on display from the top. FilthyJim White is known far and wide for his resource behind the drum kit and he proves it song after song, with sensitivity that provokes dynamic variety from skins, an acoustic depth to the room. Paul Oldham's bass is a feeling accompaniment to Bonny's guitar, played with brotherly clairvoyance and constancy. Young Emmett Kelly's clean electric guitar lines roam within the web and suddenly shine, are blues and folk and r'n'b in shifting turn, guilelessly tactic and soulfully expressive. And up front with Bonny is the bewitching Dawn McCarthy of Faun Fables. Her vocal flights on those records can hardly prepare one for the intimacy and empathy of her harmonies and other voices on The Letting Go.

Want to learn more information about The Letting Go?

>> Click Here to See All Customer Reviews & Ratings Now